Limiting access for news photographers a 'worrisome' trend

Canadians likelypay little attention to thecreditson photos ofnews stories, as most people are naturally more interested in the image itselfthanthose who provided it.

But had they looked closely at some of the stillsof the Tragically Hip concert in Kingston this weekend that circulated in news media,they would have noticed that thosephotos were not taken by a recognized news organization.

Instead, they were provided by the concert promoter Live Nation. And that's because Live Nation, citing lack of space in the small Kingston, Ont., venue, said it couldn't accommodate news photographers and barred them from covering the event.

Limitations on journalists

That, suggested The Canadian Press editor-in-chiefStephenMeurice, ispart of a troublingtrend, where"increasingly, limitations are being placed on journalists' access to various kinds of events."

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While some news agencies (including CBC News) made use of these Hip concertphotos, The Canadian Press and Reuters declinedto distribute them. CParguedit's the news agency'spolicy not to use handouts if CP journalistsare barred from shooting an event.

"Using handout pictures produced and controlledby a person or organization we cover removes our ability to exercise that editorial independence," Meuricewrote in a piece for TVO.org. "The images become, essentially, promotional material, and wedonot distribute such material as part of our news file."

"What would have happened had some unexpected incident taken place something involving the prime minister, for example?Would the tour photographer have captured it, and would those pictures be made available?"

Lack of media access to the Hip show itself may not necessarily be the "poster child" for those concerned about this particular issue, saidPaul Knox, associate professor emeritus at theRyersonSchool of Journalism. There were, after all, more than 6,000 people attending the concert, most equipped with cellphone cameras, and millions across the country who watched the broadcast.

He agreed though that the more disturbing aspect was the lack of access to the prime minister for news photographers. One of the pictures that circulated through social media was a photo of Justin Trudeau hugging Hip lead singer Gord Downie just before the show.

But that image was takenbyTrudeau'spersonal photographer AdamScotti, whose pictures of the prime minister in momentsnot accessible to the media haveincreasingly popped on social media andmadetheir way into news stories.

That is concerning, said Knox, sincethe PMO in this case isnot working on behalf of the audience, but on behalf of its client, namely the prime minister.

'Not getting a diversity of views'

"It matters because we're not getting a diversity of views and it matters because the selection process is going on, not in a newsroom, but in a government office somewhere astowhat images get published," Knox said.

"The selection process is afunctionof public relations and marketing. It's not a function of news and journalism."

If you can control the visual tone of an event, I think you have a lot of power.- TimCurrie,King'sCollege School of Journalism

TimCurrie, director of the University of King's College School of Journalism, said this is "worrisome on a public interest level asimages are hugely important in storytelling."

If sources control therecord, the public is seeing their story, not one coming from a disinterested perspective, he said. A news photographer will capture the small details that show the humanity, or in some cases, the tensions, of a particular event, he said.

"Tone is so important in relaying what has happened. If you can control the visual tone of an event, I think you have a lot of power."

Photosand political image

Of course, political communicators will always seek to put the turf to their advantage, said Andrew MacDougall, Harper's former director of communication, but it's not always willful.

In 2009, for example, some of the media put up a fuss that they weren't getting adequate accessduringHarper's trip to the Arctic.

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One image in particular, of Harper and his cabinet members sampling seal meat an action that would certainly play well politically in the region was taken by Harper's own photographer and distributed to the media. But there were no journalists there to verify whether the meat was sampled or eaten.

MacDougallsaid this was not acalculated image and thatHarper's photographer just happened to be there at the time and snapped the photo.

If the media wereshut out of all access, and the only photoscame from the prime minister, the media would certainlyhave a right to complain and should complain, he said.

But as long as there's an officialopportunityto get a pictureof, say, two leaders, "I don't know what more you can do with that," MacDougall said.

Not cut and dried

While news organizations will never get the "fly on the wall" access they crave, there's room to have a conversation about what's reasonable to accept,he continued.

"I don'tthink it's kind of cut and dried either way," MacDougallsaid.

Knox said one way news agencies could handle theseissues is to be upfront in the cutline, explaining that the image is a handout and that journalists were not allowed access to the news event.

JoshGreenberg, director of theSchool of Journalism & Communication at Carleton University, said he understands the dilemma news agencies face in deciding whether to use such images.

"That's a tough one, because the story is relevant, the image is circulating already. What you do is you provide context. That's what journalismdoes that public relations doesn'tdo. Itprovides the context."

However, there's a fine line between providing the context and telling the story that's of public interest, versus the behind-the-scenesstory ofhere's another example of image management at play.

"That's the cynical story that turns a lot of readers off."