Winnipeg's public Indigenous art aims to create cultural awareness and sense of belonging

When Annie Beach was growing up in a suburb in north Winnipeg, shedidn't seeIndigenous art in public spaces on her way to school.

But over the past few years, she has created 10public art murals in Winnipeg's inner city, with the latest project being a massivestarblanketmural at the University of Winnipeg'sWiiChiiWaakanakLearning Centre onElliceAve.The project was finished this summer, in collaboration with KennethLavalleeand Synonym Art Consultation.

She is one ofa growing number of Indigenous artists in Winnipegcreatinglarge scale, public art pieces to "indigenize" the city and reclaim space at the same time.

"Art is such a prominent part of Indigenous culture," said Beach, who is fromPeguisFirst Nation, and is in her fourth and final year of a fine arts degree at the University of Manitoba.

"There's so much blatant racism that [Indigenous people] experience on the streets of Winnipeg and [art] gives them a sense of pride."

For Beach, these murals represent the history of Indigenous Peoples in the city, and giveartists an opportunity to beautify their community.

When she was younger, she remembers other Indigenous youth being ashamed of their ancestry.She said public art gives Indigenous youth a boost of confidence when they see themselves reflected through various art media.

"They can pass by it in their neighborhood or on their way to school and they can see this Indigenous art, symbolism, or imagery ... and they can recognize that and feel a little more sense of belonging."

Directly across the street from the starblanket mural, is a9.8 metre by 7.6 metrerecreation of an artwork by Daphne Odjig called Thunderbird Woman.

Thunderbird Woman was curated by Jaimie Isaac and was also commissioned by the Synonym Art ConsultationWall-to-Wall Mural and Culture Festival.

The starblanket project at Wii Chii Waakanak is one of five murals in the inner city wherestarblanket patternscover buildings.

Creating cultural awareness through public art

Like Beach, KC Adams also grew up rarely seeing Indigenous art reflected where she lived. Adams was raised in Selkirk, Man., and describes herself as a social practice artist.

"My work is really about social and economic issues that we face," she said.

In 2015, Adams started the Perception series a social media art campaign using side by side portraits of Indigenous people with text underneath.

On the first halfwould be a portrait of an Indigenous person with a stoic face, and stereotypical words underneath. On the other half,the same person would be smilingwith a description of who they are.

While it started it on social media, the campaign was given a boost with the help of Urban Shaman Art Gallery. The art gallery raised enough funds to put the images on billboards and on buses around the city. The ultimate goal breaking down stereotypes.

"I think there is definitely a desire to understand our culture a little bit more," said Adams.

This week, Adams and co-creatorsVal Vint and Jaimie Isaac will be unveiling a new nine metre tall metal sculpture at the southern entrance of Winnipeg's busiest tourist attraction, The Forks.

The sculpture's name,Nimamaa, means "my mother" in Cree, Ojibway and Michif. It resembles a pregnant woman with long hair flowing, looking toward the Red River.

"It represents motherhood," said Adams.

"She's facing out to the water because she's a water carrier. She's a hopeful sculpture because she represents new beginnings and we hope that people get inspired by her and remember that water is life and that we need to protect Mother Earth."

Partnershipsfor public Indigenous art

A lot of the Indigenous art pieces that have popped up across the city over the past few years are the result of partnerships between local Indigenous artists and organizations such asDowntown Winnipeg Biz and Synonym Art Consultation.

Synonym Art Consultation is an artist-based collective that was founded by Chloe Chafe and Andrew Eastmanmore than fiveyears ago.

"We started [Synonym] essentially to gain accessibility in the arts world," said Chafe.

Chafe said collaborating with Indigenous artists has multiple benefits for a neighborhood.

"The major piece for us is community activation," said Chafe.

"Even if you don't know the history behind the starblanket, it is instantly community beautification, which makes us respect our streets more and uplifts daily living."

Synonym has helped createmore than 50 public murals inWinnipeg's core. The murals have primarily been in neighbourhoods that have large Indigenous populations.

Synonym often hires people who live in the areato work on the large scale murals, giving an added sense of ownership of the artwork.

"Not everyone can own artwork in their homes," said Chafe.

"So to be able to have these art collections in the neighborhood, they belong to the community."