The Mandalorian review: The force is 'meh' with this one

It's adecent startbut nothing quite like the epic imaginings of the first Star Wars films.

George Lucas filled the screen with city-sized spaceships;the space opera functioned on a scale few had imagined.

But for The Mandalorianthe first live-action series in the franchise's historyexecutive producer Jon Favreau focused on the other aspect that made Star Wars stand out.

The dirt.The grime. The lived-in vision of a rusted world that seems both futuristic and ancient.

Speaking about the new series for Disney Plus, Favreau who directed Iron Man for Marvel Studios and 2019'sTheLion King for Disneycited the cantina from the original 1977 Star Wars as an inspiration.

Favreau wondered what happened there, in this intergalactic backwater.And in a way, that's where the new series begins. Another cantina, on another planet, where a collection of species gather in a dark musty tavern.

As the local toughs hassle aslippery blue-skinnedMythrol, the Mandalorian enters, striking a Boba Fett silhouette.

The Mandalorianreturns Star Wars to the pulpy B-movie roots that first inspired Lucas, with the opening episode clearly inspired by spaghetti westerns, withthe Mandalorian as the lone gunfighter facing down a gang of outlaws with nothing but grit and derring-do.

Game of Thrones regular Pedro Pascal stars as the eponymous bounty hunter.

While much of the premiere episode is shrouded in mystery, most fans will be too busy gobblingEaster eggs to mind. Look! A snoot with a flute.Rotisserie-styleKowakian monkey-lizards for sale in the market.GNK, the power droid, lives!

With a reported budget of at least $130 million US,the series is the perfect way to revisit the Star Wars universe for those who can't afford a trip to Galaxy's Edge.

But this is no amusement park. Although it's set fiveyears after the victory in The Return of the Jedi,times are tough.When the Mandalorian meets hisbounty-hunting broker, Greef Cargacomplains there's barely enoughjobs to sustain the guild.

There is, however,a special assignment.

The new commission fortunately leads to a scene that hints at the seriespotential:An encounter with a group of battle-worn stormtroopers, led by the singular Werner Herzog.

While some characters look like cosplay fans, with little more than the Empire insignia and a cape, Herzog instantly comes across as the most formidableman in the room.

He offers the Mandalorian a job suited to his abilities.

Now at this point, if you're not deeply immersed in Star Wars lore, you're probably (as I was) wondering what is a Mandalorian?Turns out, there's a very good reason to set the series around this character.

The Mandalorian were a warrior race that, over time, became natural enemies of the Jedi.In fact, their distinctive helmets and combat weapons were developed to counter the effects of the Force.

While the helmet protects the wearer from Jedi mind tricks, it also acts as a shield to any audience engagement with Pedro Pascal.It's difficult to form a connection withacharacter who only muttersa few choice bits of dialogue.

Watch a clip where TheMandalorian discovers the surviving stormtroopers:

In the first episode, there's a brief glimpse ofMandalorian culture, complete with traditional armour and the hero's own tragic history as an orphan. Considering co-executive producer and director Dave Filoni exploredMandalorian culture in the animatedRebels series, it's a safe bet much more will be revealed.

After all the hoopla of the Disney Plus launch, The Mandalorianis supposed to be the crown jewel of the new streaming service.The series is ambitiousbut it's difficult to adjust from the action-packed feature filmsto an episodic narrativethat dribbles out in 40-minute increments.

Tonally, the first episode struggles, swinging from dramatic shootouts to lighthearted vignettes, such as when the Mandalorian tries to ride a blurrg a round, two-legged creature with a mean bite with Nick Nolte as the voice of Kuill a stout, pig-like creature urgingthe warrior on.

Luckily, the blurrg-taming leads to a showdown with more scum of the galaxy and our first view of IG-11, an assassin droid on the trail of the same bounty as the Mandalorian.Although much has beenmade of the fact Taika Waititi voices the distinctive droid, its autotuned voicefilters out much of the hilarious New Zealander's personality.

But the first episode saves the best for last:A stunning reveal which pivots the plot from the western genre to something closer to a samurai tale.

The consequences suggest a collision course between the Mandalorians and the Jediwhich would be welcome, because at this juncture, the only real power source pulling us forward is nostalgia.

Part of the pull of the original trinity of Star Warsfilms wasthe archetypal appeal of the characters: Han Solo's swagger,Princess Leia's undaunted spirit and everyone's favourite space farmer, Luke Skywalker.

With TheMandalorian, Disney is once again banking on our built-in affection for the franchise, but without the classic characters and distinctive music of John Williams.

This is not the same Star Wars we were raised on.

It's too soon to say whether The Mandalorian can succeed on its own merits.But a goodstart should begin with giving us more of a glimpse of themanbehind the mask.