Writer sues Tupac Shakur biopic for copyright infringement

New York-based writer Kevin Powell is suing the filmmakers behindAll Eyez on Me, arguing the Tupac Shakur biopicpulls information from a series of articles he wrote aboutthe late rapper in the 1990s.

And he should know since he also admitsthat some of the details in his stories were, in fact, fabricated.

"While some of the content in these articles was factual, someportions of thearticle were changedor embellished by the plaintiff," states the lawsuit, which was filed Friday.

The claims

Powell alleges elements of the film were based on a series of three articles he wrote for Vibe magazine between 1994-96about Shakur's life.Shakur, one of hip hop's most prolific artists, was killedin a Las Vegas drive-by shooting in September of 1996.

"After viewing the movie twice in the past few days, it is clear that my exclusive Vibe cover stories on Tupac Shakur (when he was alive), were lifted, without proper credit or compensation of any kind to me, and used in All Eyez on Me," Powell posted in a message on Facebook Friday.

According to the lawsuit, the film, released in North American theatres last week, featuresdetails about the rapper's relationships and struggles not depicted or published anywhere else.

That includes an epiphanyShakurhad on stage in high school thatPowell described in his writing and references in the film to a journalist who identified with the musician's personal issues.

'Creative licence'

But the key allegation lies in a fictional character Powellwrote about in his articles named "Nigel," allegedly based on a real individual namedJacques "Haitian Jack" Agnant. The lawsuit claims All Eyez on Me features the character, as well as details of the character's relationship with Shakurthat cannot be found anywhere else.

Keith White, one of Powell's lawyers, told CBC News in a statement that his client "took creative licence" but consistentlycovered Shakur's story with "integrity and dignity."

"This included fact-specific narrative changes and character creation in an effort to protect the legacy that Tupac was still building."

Copyright infringement in the U.S. protects "original works of authorship" and the law tends to promotecreativity and individual expression. That might explain why Powell,a politicalactivist whogot his start on the MTV reality seriesThe Real Worldin 1992,was forced to fess up to the fictional portions he includedin order to substantiate his claim.

Powell's lawyers aredemanding the film be pulled from theatres or that their clientreceive a cut of the earnings between $750 and $30,000 US per showing.

"The narrative that Kevin developed from many intense and exclusive moments with Tupac should not have been used in any film without Kevin's approval and consultation," said White.

Not charming the critics

In addition to naming the film's producers and screenwritersin the suit,the document also namesLionsgatefilms, Morgan Creek Productions and Program Pictures. CBC has reached out to the companies. A representative for Lionsgate declined to provide acommentSaturday.

Shakur, whose hits includedCalifornia Love, I Get Around and Changes,has been ranked by Rolling Stone magazine as one of the greatest artists of all time. Hisbackground, artistry and rise to fame have been the subject of many documentaries but few dramatic films.

AllEyezOn Mehas so far brought in about $35million US domestically. Critics have given it a low average rating of22 per cent on Rotten Tomatoes.

The film has also taken heat from those close to Shakur, includingactress Jada Pinkett Smith, who starred with him on an episode of the sitcom A Different World. She slammed the film's portrayal of their relationship on social media when the film was released, calling it "deeply hurtful."