Mi'kmaw artist to explore traditional burials in new documentary, exhibit

A Mi'kmaw artist from Millbrook First Nation, N.S., is adding a documentary and art exhibit to his list of creations, and the focus will beexploringMi'kmaw traditions around death.

"Death is always there.If you try to ignore it or not, it's still always there,"Alan Syliboytold CBC's Mainstreeton Wednesday.

"And in Mi'kmawsociety, death is not covered or hidden. When you're a child, you're aware [of it]."

The artist said he remembers his grandmother telling him that when she was eight years old,she would help her mother prepare someone for burial.

"I think that's normal you went with your mother and she taught you what had to be done," he said, adding that's just what the community does when a member dies.

His idea for the National Film Boarddocumentary and art exhibit came to him whileattending a burial that included the Christian tradition of being buried in a casket.

There, Syliboy noticed that sometimes tobacco or an eagle feather would be placed in the casket, or there'd be a fireburning in the backyard during the service.

"For a long time, it wasn't there, but it evolved. And this is what I'm thinking about," he said, adding that he now seestraditional practices at funerals more often.

Syliboy said one traditional burial option is when a person is buried sitting uprightfacing eastand a birch bark shroud with red ochre is placed over them. He said the Mi'kmaq are the People of the Dawn and the keepers of the Eastern Door and that type of burial had spiritual meaning.

"I think it's a reclaiming too, of who we are and this is a big part of who we are,how we see the end of our life," he said.

Todd Labrador, a master canoe builder from the Acadia First Nation in southwest Nova Scotia, made a birch bark shroud for his father, Charlie Labrador, who died in 2002.

Labrador said members of the community gathered after his death to make theshroud, which was sewn together using spruce roots.

'We honoured him'

Charlie Labrador was laid to rest in an open casket, surrounded byanimal hides with his hands and face covered in red ochre.

Labradorconstructed the casket using old pieces of plywood because his father "didn't want fancy things," he told Mainstreet.

"He'd rather use an old piece of plywood than a brand new piece of plywood. He would rather buy an old car than a new car. That's the way he lived, so we honoured him," Labrador said.

One other story that Syliboy discovered is about a Mi'kmaw person being buried near a well-worn path during the 16th century. He said by burying the person there, the people believed the spirit would be nourished by the women that walked the path.

Syliboyhas spoken with Labrador and iscontinuing to research more Mi'kmaw traditions. People can contact him if they have stories to share.

Production ofthe documentary is expected to begin soon and Syliboy is hoping both projects will be completed within three years.

His previous projects have included severalart installations and exhibits that includesculptures, paintings and murals. He's also a musician and performs in the group, Alan Syliboy and The Thundermakers.

In 2015, he wrote and illustrated a book titledThe Thundermaker. A year later, Syliboy was appointed theCoady Chair in Social Justice at St. Francis Xavier University in Antigonish, N.S., in 2016.

MORE TOP STORIES