Teens from fly-in First Nations transformed by dancing their way onto Toronto stage

Grade 10 student Solomon Harper is slick with sweat, sprinkledin dustand roughly 1,500 kilometresfrom home. He's surrounded by farm animals, the loud and anxious voices of more than 100teens both older and younger than he is and he couldn't be happier.

"The performance today is really exciting, but first-year [attendees are] usually nervous," Harper, 16,said during a break from what seem like unending rehearsals.

"This is where they feel accomplished. This is where we take pride in ourselves."

Harper is a dancer with Outside Looking In (OLI), a non-profit dance program for Indigenous youth across Canada. He's from St. Theresa Point First Nation, which is about 600 kilometres northeast of Winnipeg, and it's his fourth yearparticipatingin the program.

Serving mostly on-reserve kids between the ages of 12 and18, OLI offers high-school-accredited dance classes in what are usually remotefly-in communities.

At the end of the school year, a selection of dancers are flown to southwestern Ontariofor 14days to rehearse at a farm in St. George, Ont., atiny community about 45 kilometres west of Hamilton.From there, they head to the Sony Centre for the Performing Arts in Toronto to dance in front of an audience of thousands.

Harper says his experience with OLIhas fundamentally changed how he sees his future. The program has helped him improveboth at school and on the dance floor andto make ambitious plans for himself.

He describes his younger selfas a "slacker" when it came to academics, and someonewho "wasn't that good at dance."

Outside Looking In requires all participantsto maintain a grade average above 60 per cent. Harper says he now maintains grades in the 80s and 90s. He also dreams of becoming both a lawyeranda professional choreographer.

"It made me a hardworking person, so that's what I think OLI is for," Harper said.

"With school, I want to be the best, too.I want to be higher than anybody [and]try to feel better about myself."

Other dancers also spoke of having transformative experiences.

Rayna Fontaine, a Grade 12 student from Garden Hill First Nation in northeastern Manitoba, is in her fourth year with Outside Looking In. The experience has been a roller coaster of emotions, as well as a lifeline during some tough years.

After the excitement of her first performance, Fontaine felt much calmer the second time.

In her third year, however, the feeling of excitement returned and broughther to tears. She felt overwhelmed by being giventhe opportunity to perform and express herself onstage something she says rarely happens at home.

Fontaine, who's now 18, struggled with a "deep sadness" in her early teens, but said dance has helped her work through it.

Before the program, she said she had a simple routine: "'Go home. Play games.Lay in bed.Sleep.Clean up.' That was all."

But OLIgave her the opportunity to learn, develop and polish a dance routine all year longbefore eventually performing it in front of a large audience. It'sbeen exciting and fulfilling, and has given her a sense of purpose.

"It was just a learning experience, and that's very emotional for me, because I was able to get through what I was going through at the time."

Toronto choreographer Queenie Segubanhas seen first-hand how important a program like OLI can be for Indigenous students.

Segubanhas taughtclasses in facilities without heat, and in communities under boil-water advisorieswhere a case of 24 water bottles costs nearly $100.

"It's not always negative in First Nations reserves, but [these conditions] do exist, and it's very extreme," Seguban said.

"[It] gives me more of a reason to keep coming back, because I do know that dance provides some sort of joy and happiness and escape for some of these kids."

Seguban's primary goal is to bring students out of their shellsa skill she's had to refine in her years with OLI; many of the dancers enrolled in the program have never performed onstage before. Even during rehearsals, manyare soft-spoken and shy.

Often, it's only when they're onstage in Torontothat Seguban sees them truly blossom as performers.

This year, that transformation took place on Thursday, when the dancers performed to a nearly full house at the 3,191-seat Sony Centre for the Performing Arts.

"That's the moment where it finally ends, where we take a bow, and then confetti everywhere," said Harper,theprogram veteran fromSt. Theresa Point First Nation.

"Everyone's hugging and crying, because they can't believe they've done this."

The opportunity to seedifferent parts of Canada, push his limits, and dance for crowds in the thousands makesHarper feel incredibly proud.

And he hopes it won't be his last time onstage.

"I'm going to miss it," Harper said.

"I'm just going to enjoy it while I'm here, so when Igoback home, Ithink I'm going to strive for more again. Andhopefully come back next year."